Adam Goldberg (2016)

Thanks so much, I think. Or I'm sorry? : ) I know that scene is quite upsetting for some people. It was grueling but cathartic, to sort of come face to face with your own mortality in a sense but in a relatively safe environment. I remember feeling almost high after. That scene and the Dazed and Confused fight scenes will always be stand outs. Something about visceral scenes such as that, scenes in which you'd ordinarily not find yourself, that are a little intoxicating.

the word "pals," some wardrobe, and my hair.

not until now.

It's unclear. We may do a show, maybe a movie, been tossing around ideas...or we may just go to lunch and complain.

ha.

Probably if for no other reason than it was such an exciting opportunity and my first substantial role in a movie, I tend to go with Dazed and Confused. Having said that it's far from my favorite performance.

I fight my self doubt with action. And often doubt that as it seems arrogant, narcissistic, an act of hubris...but if I don't do things, make things, I'll still be self-loathing, have more time to focus on physical and psychological discomfort and likely simply recede. I sometimes use the "tortured artist" idiom as a way to justify the amount of discomfort or anxiety doing sometimes even the things I love the most. The fact that there is at least a frame of reference for this experience takes the edge off slightly. Refusing however to let go of misery as an excuse to feed art I think is a sort of sophomoric gesture and is a bit of a luxury. If I could expel mine I would in a heartbeat.
Thanks so much. Wrench and Numbers always stood out to me, and I guess I figured if we did a decent job and the show was well received it might have an impact not dissimilar to the hitmen in the film who were certainly fan (and my) favorites. Actually my favorite Fargo (movie) character might be Mike Yanagita. Thanks again and best of luck to you!

I believe The Hebrew Hammer does combat such forces in the first one. Actually considering entering into discussions again about a sequel which has been in and out of development for years.
Yes I'm neurotic as some, but not as neurotic as others. Like, I don't murder so much anymore.
Happy birthday wife of uzi who had he given me your name would be more personally addressed!

Don't think it's prostatitis. More and more convinced that there may not be a such thing as anti-bacterial prostatitis, unless you clearly have an enlarged prostate. Much of these symptoms fall under a category which on the surface would seem to apply to women who just gave birth or something -- PELVIC FLOOR DISORDER. Just started physical therapy for it. It's no picnic. It's more than just a finger for a minute. But many men swear it has changed their lives.

oh I dunno. Maybe we gave him a little grief. But no not really. Mainly I remember all of us playing cards together in one of our trailers, during our down time.

nope. OGAG here.

I'm sure a bunch but i was so exhausted and burnt out the whole time, it's a bit of dream when I think about it. It was tough work. I liked it as we were leaving boot camp and Captain Dale Dye, who trained us, said, tapping my chest, "You know what Mellish? (he called us our character names) You got more in the chest of yours than you give yourself credit for." Or maybe "heart?" I think "chest." His point being I'm stronger, more resilient than I think. This has always stuck with me.

salty.

that they were removed in 2001.

Nice to be here, thank you! It was ROUGH! I was really nervous I simply wouldn't be able to pull it off. I was directing and acting in my movie "No Way Jose" and twice when I had days off Catherine MacKinnon, my ASL coach, flew down to work with me and I honestly thought I had gotten in over my head. I really did not want to disrespect the ASL community nor embarrass myself. But Noah, the writer/creator, assured me I'd be fine, just to focus on the first scene (where you meet us), which we had to shoot just a couple days after wrapping my film, then I'd have a little more time to focus on the ASL. That said I was also editing my film myself at home or in the hotel when I was shooting Fargo, so there was a lot going on. But Catherine and Russell (who was super duper helpful and supportive), and I got into a groove and came to treat it like I would any lines I had to learn or like a dance. Maybe the toughest scene was the one entirely in sign language in the diner. I still think that could have better. It was hard to get out of my head and just BE the guy. I'm not sure I thought much about what happens to Russell's character, I guess maybe he found new partner. :(

I'm in near constant physical discomfort.

• meditating/breathing/self-hypnosis
• Brian Eno and Loscil's ambient music
  -Ativan alas

Not as far as I know. I think I kept getting them under the assumption that I'd quit and have transitioned fully to directing by a certain age, which simply hasn't happened. I don't love having them when I work, it obviously makes it more difficult to delineate characters I play, unless I cover them up, which I have done a with a couple of them, just never all of them. I have waking up, let alone 2 hours earlier to have them all covered.

Along the lines of my answer regarding my favorite role, I'll go with Rick Linklater who directed me in Dazed and Confused and Waking Life. He kind of spoiled all of us. Super collaborative, nurturing environment. If you needed more structure or more overt direction, maybe not your guy, but if you were bringing a lot of things to the table, ideas you wanted to communicate, he was so receptive. I imagined it was what it might have been like to work with Cassavetes.

Thanks so much. I think it opened a lot of creative doors for me actually -- both practically, in terms of forging an aesthetic with so many limitations, which led to incorporating such an aesthetic into other mediums, i.e. music videos -- but also in terms of creativity of any kind spawning other creative ventures. Made a feature just a few months after emerging from the Vine rabbit hole. And it was. A very deep rabbit hole for me.

No but I'd do one called Comfort of My Own Home Where It's not -30ºF.

Lots of them. I love Tony. Was just talking about him yesterday. Easily one of the warmest director's I worked with. Cared so much about his cast and his crew. I remember thinking at times, "I'd only do this or say this for Tony" because you just loved him so much, even if you were feeling stubborn about your instinct or take on a certain concept or scene. He was a great collaborator, allowed me to bring a lot of physics research I was doing for my character to him and eventually the script. Also had a blast with Val who I had known from The Salton Sea, but we became much better buddies on this. I'll always miss Tony, dammit.

zero----------->zero

never to 3.

we did a 3 day press junket together and the journalists were genuinely pissed at Jeremy. I felt bad. Sort of.

It's delicious. I mask the heinous protein/vitamin powder with blueberries, banana, and lots of ginger. Thank you.

I'd love to be in the new Twin Peaks, if for no other reason than to watch and work with Lynch, who is an idol of mine. Although I've found it's best not to meet your heroes. And in any case I often think it's more about aspiring to what that person represents to you, then working with them necessarily. I'd love to work with the Cohen Brothers, who I auditioned for years ago and even that experience was fantastic. It's verging on completely ridiculous I haven't worked with Woody Allen, though I almost did years ago.

I've done three movies with Matthew and spent a good deal of the nineties with that dude. He's Wooderson pretty much. Like a more business savvy Wooderson.

Rick just put out "Everybody Wants Some" his '80s movie he deems a "spiritual sequel. " For years I wanted a sequel to take place either the day before or of or after 9/11 since the ages would have worked out right for us to play us. This is an admittedly potentially dark take.
Thanks so much!

other way round, i've tried anxiety for my weed.

palling around with Thomas Lennon probably. And Shalom Harlow who I met doing The Salton Sea, but we became pals on this. Shortly after I asked her to play a small role in my film "I Love Your Work."

Not a fan of laxative. I do however enjoy a stool softener.

It's always a bit awkward jumping into a dynamic so well formed by the time you get there. But everybody was super sweet and supportive. And ultimately I had a lot of fun. The Matts and I would go hang out after tape night, still pals with LeBlanc.

If you want an all in one type thing, so you don't have to worry about changing the lens or film backs, and that operates a bit more like a conventional camera, consider the Pentax 67, which is like a huge SLR basically, or a Fuji 6x9 camera, like the Fuji GW690 (lots of versions of this) which is like a huge Leica. They call them Texas Leicas. Good luck!

Thank you! Ha! too many..uh
2 pentax 67s (one with polaroid back)
rollie 2.8f
plaubel 670
speed graphic
graflex super d
graflex norita
mamiya universal press
mamiya super 23
polaroid sx70, spectra pro, land camera 360
lomo instantwide
leica m6
leica m type 240
fuji xe1
konica hexar af
polaroid 110 b, 4x5 conversion by Alpenhause
Nikon F3
Toyo 4x5 field camera
olympus xa
mamiya 7ii

Maybe that's all?? Thanks again!

Yes many times. My next album will be a book of sorts, vinyl with 12 prints, and an exhibition. But yes I'd like to do a comprehensive book.

yeah it's a bit of a catch 22. I do find certain notions from those books stick with me though, serves as a sort of hypnotic suggestion. I would mediate and seek out hypnosis.

I think I just did the pilot. Unless they cut me through different episodes. I was supposedly hooking her up with a very funny malcontent, poet pal of mine and but they never aired the date they went on. I thought it was such a subversive hookup and I was so upset he didn't make the cut (John Tottenham). It would've been hilarious. I had a girlfriend, and had known Lisa for years, a very old dear friend of my friend Adrienne Gruben, who I co-produced a couple movies I directed.

you need to go to pelvic floor rehab.

Hey there thanks so much. I dig those characters as well.
Sometimes I take few shots to get one I deem worthy of sharing, particularly if it's on old unreliable expired instant film. You usually have to overexpose and are guessing a bit with exposure. I think I take far few photos than a digital photographer however, and that's one of the things film, particularly large format film, photography forces you to do, is be a bit more considerate and cautious before just firing off a shot.
I wish I had some advice. My plan was to go to Cal Arts and make films there and see where that led, but only stayed there for about 10 days before dropping out. Acting is a very different realm and even then I'm not sure I'd have any real general advice. Everyone sort of has a different path. But I will say that I made my first film,"Scotch and Milk," for an extremely small amount of actual dollars, like 50k, with LOTS and LOTS of in kind donations and we made a pretty beautiful film (which you can't find...sad face)...but the notion of saying, hey we're just gonna make this is SO much more a practical reality these days. Just make stuff. The tools are so much more accessible, as are the venues in which you can exhibit your work. Good luck!

I asked sort of loopy, ambient, but very organic musician Colette if she wanted to collaborate years ago but she politely declined. I just had someone I simply revere, a hero, and inspiration, whose music is a source of solace, a big warm beautiful blanket of song, sing with me on my current album, which I'm mixing now. Bridget St. John. Find her records. Couldn't be more honored.

I did his podcast. We fell in love over a cluttered desk. Oh also a really funny episode of his IFC show, that probably sealed it.